28 Şubat 2011 Pazartesi

Greater Middle East Photo

Photo © Manal Al Dowayan-All Rights Reserved

Finally!

Someone came up with the timely idea to publish a photography blog titled the Greater Middle East Photo blog, with the commendable intent to provide space for photography from a region which is sadly under represented.

This new blog hopes to be a facilitator of great photos, great photographers, and great minds discussing photography from the greater Middle East. I hope so as well. The Middle East has been lagging behind in terms of photography, and this blog will perhaps be an added venue to showcase more of its talent.

The photograph above is by Manal Al Dowayan; a photographer who lived for most of her life in a semi-enclosed compound in Daharan in the Eastern Province of Saudi Arabia. Much of her work is about female identity in the conservative Muslim Middle East. The photograph above is titled "I am an educator", while the writing on the slate reads "ignorance is darkness" repeated many times. Her work is featured on the Greater Middle East Photo blog.

Note: My apologies for the shorter blog posts in the coming few days as I'm behind schedule in preparing my class material and presentations for the Foundry Photojournalism Workshop in Istanbul this coming week.

27 Şubat 2011 Pazar

Joey L. : The Mentawai (The Movie)


Here's a highly recommended 16-minute long movie documentary of Joey L.'s (and his team) excursion into the land of the Mentawai. It starts with the 10-hour crowded cargo ferry ride from Sumatra across the strait to the islands of the Mentawai, approximately 150 kilometers off the Sumatran coast.

The excursion took 2 years to plan and prepare, and we are treated to a behind the scenes look at the photo shoots along with snippets of the Mentawai's life. The amount of gear that Joey and his team had to carry was quite significant. This is not a destination where you show up with a couple of cameras and flashes. They had to lug heavy lighting equipment, large reflectors and lightboxes, cameras, lenses, video equipment, generators, food and so forth.

The most visible Mentawai tribesmen in the documentary are Bajak Tarason and Bajak Tolkot, who seem to have a pessimistic view of the Menatawai's future. They address the interference of the Indonesian government in their ancient tribal customs, and of the Christian missionaries who seek to change their belief system.

It's Bajak Tolkot who invites the world to visit the Menatawai islands, to witness their way of life before it's too late. I really hope very few people take him on this invitation. I realize that an influx of tourists could bring a much needed infusion of prosperity to the Mentawai, but it would also accelerate the demise of their way of life, or turn them into performers; wearing their loin cloths and brandishing their arrows for the tourists' cameras.

In the documentary, I've seen young Mentawai wearing graphic t-shirts, including one of Donald Duck, posing next to a traditional Mentawai tribesmen. So the infiltration has already started, and not before too long, the baseball caps will appear as well. It's a shame that similar cultures and traditional ways of life can so swiftly disappear.

My thanks to Cathy Scholl for the heads-up on this movie.

26 Şubat 2011 Cumartesi

In The Shadow of Everest At RMA

Photo © Tom Wool-All Rights Reserved

The Rubin Museum of Art in New York City is showing the photographs of Tom Wool in an exhibition In The Shadow of Everest, which runs until July 26, 2010.

Coming from a fashion photography background, Tom Wool has devoted himself to work for humanitarian organizations. Using a medium format Hasselblad, he photographed Tibet's Rongbuk Valley and its inhabitants in May 2001.

The valley stretches about 30 miles from the base of Mount Everest on the north side, and is home to some 3,000 Tibetans. It's considered sacred, with deep religious connotations to the Tibetans. The valley is home to the Rongbuk Monastery, the highest of any in the world at 17,000 feet above sea level.

24 Şubat 2011 Perşembe

Fons Rademakers: Haridwar Kumbh Mela

Photo © Fons Rademakers-All Rights Reserved

I've featured so much work from various photographers, and seen so many photographs of the Nagas and pilgrims here and elsewhere, it's as if I've been there myself. I'm pretty sure these photographers who were at the Kumbh will either recognize each others work, or recognize the subjects.

However, here's the work of Fons Rademakers who's a physicist working at CERN (European Organization for Nuclear Research) in Geneva, where the largest particle accelerator is operated and where the World Wide Web began as a project. Fons leads a software project that provides programs for data processing and analysis, but started his connection with photography when 12 years old, and regards it as his passion next to physics and computing.

I would recommend to Fons that he ought to consider moving his many other photo galleries from SmugMug to his own website. They're certainly worth showing in a more professional medium.

23 Şubat 2011 Çarşamba

John Batdorff II: Peru


It runs in the family, as they say.

John Batdorff II is the son of two avid photographers, and it was only natural that he was "infected by" the same passion. Based in Chicago and in Ennis (Montana), John developed his craft early on by photographing for his family's newspaper, and enhanced it by specializing in landscape and travel photography.

His work has been exhibited in museums and featured in various publications.

While John's galleries include one of India, I'm bucking my own trend this time and featuring his work of Peru.

22 Şubat 2011 Salı

Revamp: The Travel Photographer's Website


It took a while, but I completed setting up two websites based on the popular WordPress F.8 theme that will run in parallel to my current website.

The first WordPress-based website contains 15 photo galleries, which are also iTouch and iPad-compatible.

The second WordPress-based website contains 8 audio-slideshows.

The Travel Photographer's original HTML/Flash-based website still remains as is.

21 Şubat 2011 Pazartesi

POV:The Future of Travel Photography Gear?



Yes, I caved and got an Voigtlander 40mm optical viewfinder for my Panasonic GF1. It's well suited to the Panasonic 20mm 1.7 lens.

But this is not about the viewfinder or how much better the GF1 feels with it...it's about the above 'minimalist' gear which is an option when I'm planning an assignment or a photo trip. I can have all this in a small Domke bag, and have spare room for a book, an audio recorder, an itouch and lots more.

Imagine the bliss of having all one's gear in a small and light bag!!!

Here's a statistic: The combined weight of the GF1, the Acer netbook and a WD Passport hard drive (from their individual listed specifications) is 3.8lbs. The combined weight of a Canon 5D Mark II and a 24-70mm 2.8 lens is 3.9lbs.

Am I contemplating chucking out the DSLRs and lenses? Not at all. What I now have available to me is equipment which, depending on the nature and duration of the trip and/or assignment, is a viable alternative.

The easy one first: the WD Passport 750gb is small and worked well so far. It may not be as tough as a Lacie Rugged, but it's functional, provides ample storage and is inexpensive.

The not-so-easy: I've used the Acer netbook on 3 or more photo expeditions, and it also did okay. However, its Windows XP software is a major irritant, and its Atom processor is really sluggish. I seldom have it process any image files, and just use it to save my RAW files on its 160gb hard drive and on the WD Passport. An eventual alternative to the Acer could be an iPad, if and when it allows connectivity to an external HD.

Another not-so-easy: The GF1 is a delight to use, and the quality of its images is almost as good as from an entry-level DSLR....but almost is the key word. Having said that, it's still a lovely tool to use on walk-abouts, for environmental portraits and as a back-up. It'll be very useful in situations where photography may be frowned upon (like religious rituals) or where one doesn't want to be labeled as a professional photographer.

I'll be taking the GF1 (along with my Canon gear) to Istanbul in a couple of weeks, and will further test its walk-"aboutability".

Mark Thomas: Haridwar Kumbh Mela


Here's another feature from the recent Kumbh Mela which was held earlier this year in Haridwar, North India.

This body of work by photographer Mark Thomas is titled Kumbh Mela 2010, and is mainly of portraits he made during that religious event.

Mark Thomas is a photojournalist and a multimedia expert, whose work appeared in various publications, including The Boston Globe and National Geographic News. He professes a deep passion for documenting and photographing India.

His Kumbh Mela 2010 gallery consists of portraits of naga babas, the ash-covered sadhus who belong to the Shaivite sect, as well as pilgrims.

Mark's website has other Indian-centric galleries such as Faces of Kashi, Visions of Kashi and Child Labor.

A worthwhile website to bookmark for Indiaphiles.

19 Şubat 2011 Cumartesi

Jehad Nga Talks to BJP

Photo © Jehad Nga-All Rights Reserved

"I respond more to fashion and fine-art, carrying these fields and variables in photojournalism." -Jehad Nga

The British Journal of Photography (which revamped its website) published an interview with Jehad Nga, one of my favorite photographers. This blog featured many posts on Nga, and his distinctive chiaroscuro style.

Titled From Kansas To Nairobi, the recent interview sheds a light on Nga's decision to join the Institute for Artist Management instead of VII and Magnum.

Nga first visited the Middle East in 2001 spending months in different medical volunteering positions in Gaza. When he interned at Magnum Photos in 2002, he was also training to become an Emergency Medical Technician. But since 2004, when he moved to East Africa, he's been dedicating most of his time to photography, working regularly for the New York Times.

Via photojournalism links

18 Şubat 2011 Cuma

Kate Baumgartner: Religious Asia

Photo © Kate Baumgartner-All Rights Reserved

Kate Baumgartner describes herself as an avid photographer, and that may well be an understatement.

Based in Hong Kong, she photographed to Cambodia, Burma, India, China, Namibia, Singapore, Sri Lanka and Vietnam...returning with splendid photographs, like the one above of the Cao Dai monks. Cao Dai is the relatively new, syncretist, monotheistic religion established in 1926 in Vietnam.

Take a look at Kate's gallery of photographs under the Religion category, and you'll find many of the different faiths and traditions of Asia, including the unusual rituals during the Thaipusam festival in Singapore, which is celebrated mostly by the Tamil community. On the day of the festival, devotees will shave their heads and undertake a pilgrimage during which some will engage in self-mortification by piercing their skin, tongue or cheeks with skewers.

Test Shots: Panasonic GF1 + 20mm f1.7 Lens

Photo © Tewfic El-Sawy-All Rights Reserved

Photo © Tewfic EL-Sawy-All Rights Reserved

Here's a couple of "on-the-go" photographs made with my brand-new Panasonic GF1/20mm 1.7 lens on Bleecker street in NYC's West Village. There was a couple of garbage bags on the sidewalk which I had to frame out of the top photograph by chopping off the woman's shoes. The second is of a woman balancing 4 (actually 5, I think) lemonades and seemingly on collision course with another...it didn't happen.

I shot these with the GF1's Intelligent Auto mode on; essentially the "point & shoot" mode, which I'm using for a couple of days until I get used to its handling. The IA mode allows me to photograph in both RAW and jpeg. The images above are the jpeg versions (out of the camera), and were slightly sharpened with CS. Click on them for a larger size.

In my opinion, the GF1 is a hybrid between a point & shoot and a rangefinder, and is ideal to carry on photo walk-abouts. It's probably a camera that P&S shooters will consider as a step-up, while DSLR users will view it either as a backup or as a carry-around tool. The shutter lag isn't too bad...in fact, I didn't find it to be much of a problem. It's there, but it's not significant.

It still bothers me not having a viewfinder (a Panasonic EVF or Voigtlander OVF may be my next purchase) to look through, but perhaps I'll get used to it. One of the notable advantages of this camera is, when photographed, people don't seem fazed (or threatened) by it as compared to a DSLR.

I carry it on a hand strap, and I find that it doesn't nestle easily in my hand. Maybe I'll get used to it in a few days.

Am I in love with the GF1? Not yet...I like it, and getting used to it...but it's not love (yet).

17 Şubat 2011 Perşembe

Paolo Evangelista: Zanzibar

Photo © Paolo Evangelista-All Rights Reserved

Paolo Evangelista holds degrees in music and anthropology, but decided to pack his bags, his espresso machine (after all, he's Italian) and his cameras to live in Australia for a while. Currently based in Perugia, he traveled to Zanzibar where most of his galleries are of.

Most interesting are Paolo's street photographs in Stone Town.

It's the old city and cultural heart of Zanzibar, where nothing much has changed in the last 200 years. Its winding alleys, bustling bazaars, lovely mosques and typical Arab houses are exquisite backdrops for this sort of photography. Its name conjures sea traders, explorers, Sultans and the fragrance of exotic spices. It was also declared a World Heritage Site by UNESCO.

Also of interest to me is Paolo's gallery of Sydney's Chinese market, since I photograph in New York Chinatown.

16 Şubat 2011 Çarşamba

MSF's Starved For Attention


"this year 195,000,000 children will suffer from malnutrition"
and so starts “Starved for Attention” the extremely well produced multimedia campaign by Doctors Without Borders/Médecins Sans Frontières (MSF) and VII Photo which exposes the neglected and largely invisible crisis of childhood malnutrition.

The campaign aims to present a series of multimedia documentaries of still photography and video from the well-known photojournalists at the VII Agency, such as Marcus Bleasdale, Jessica Dimmock, Ron Haviv, Antonin Kratochvil, Franco Pagetti, Stephanie Sinclair, and John Stanmeyer.

The first multimedia reportage is titled Frustration and is by Marcus Bleasdale, who narrates it out of Djibouti.

Bookmark this website, since the remaining reportages will be featured over the course of the coming months.

For more background on the project, JournalismNow features an interview with Ron Haviv, which touches on his work in Bangladesh for Starved For Attention.

14 Şubat 2011 Pazartesi

New Handheld Recorder Zoom H1

Photo Courtesy Samson Audio

Ay...I hate innovation. Well, not really of course, but a new (and occasionally improved) gadget always turns up a few months after a purchase, and this is annoying. Why can't the stuff I buy stay fresh and on the cutting edge of things all the time?

I'm kidding...sort of. But here's the H1, a new handheld audio recorder from Samson Audio, which may not have the top of the range recording schemes, but is a handy portable stereo recorder at an unheard-of $99 price.

It's supposed to give you 10 hours of battery life on a single AA cell, and can accommodate up to 32GB of removable microSDHC storage. Its microphones are configured in an X/Y pattern for optimum stereo imaging.

At this price (and assuming its performance is as good as Samson claims), it'll be a hit for entry-level multimedia photographers, and perhaps many others. It's available on July 30th, so keep your eye on it if you're in the market for a low cost handheld recorder.

I've read Samson's blurb, but didn't find the accessory on the H1's list that allows it to be set on top of a DSLR's hot shoe as shown in the above photograph. The H1 has a tripod mount on its back, so this doodad connects it to the hot shoe.

Interview: The Travel Photographer on the Matador Network


In a new series on Matador Network's Notebook which features periodic interviews with professional photographers, MatadorU faculty and travel photographer Lola Akinmade caught up with me to discuss my perspectives on travel photography, and my insights on the industry as well as on my photo~expeditions. You can also leave your comments if you wish.

Read the interview, in which I confide that
"it was almost like having two personalities; one being a “starched” banker during workdays, and a more relaxed personality befitting that of a travel photographer during the weekends."
I have a bunch of other interviews, which are listed under My Other Websites on the right.

13 Şubat 2011 Pazar

Got it! Panasonic GF1 + 20mm f1.7 Lens

Having lost patience with Amazon's delivery system, and the fact that its delivery was now estimated to be between June 1 and June 14, I called yesterday and canceled my order. The customer service lady was extremely pleasant and nice, making me feel somewhat guilty for a while.

My guilt didn't last too long after I saw that Adorama had a Panasonic GF1 with a 20mm/F1.7 for $847 excluding NYC tax, but including some stuff like an 8 GB SD Sandisk memory card, a Lowepro carrying case (I much prefer my own pouches), a wonderful USB 2.0 SD card reader (like a memory stick), and a cleaning kit (of dubious use except for a nice lens brush).

I walked over to the store, got served by a lovely young woman (inexplicably wearing a scarf in NYC's heat) and had my new camera and accessories in under 10 minutes.

As with every camera and electronic gadgets I buy, I tried to work through the controls and settings without opening the manual. I got reasonably far, and was stumped a number of times, especially as I am used to a Canon "nomenclature". So I'll have to spend some time studying the manual after all.

I will soon test the GF1 and will post some of the street shots here. However, my first impressions holding it, shooting a few interior shots and so forth, gave me a sense that it's a solidly-built small camera. Not a point & shoot, not a rangefinder...but a hybrid in between the two.

11 Şubat 2011 Cuma

Darren Ornitz: East Africa


Today I'm featuring the work of Darren Ornitz, who as a freelance photographer, traveled for 14 months in Africa and Asia including Zimbabwe, Ethiopia, Yemen and Oman.

Quite a number of photographs in Darren's East Africa gallery are of Lalibela, one of Ethiopia's holiest cities, and a center of pilgrimage for much of the country. The population of Lalibela is almost completely Ethiopian Orthodox Christian, and having spent a few days there photographing during the Epiphany celebrations, I can only describe it as "Biblical".

Part of the East Africa portfolio are some photographs of Zanzibar, and more specifically Stone Town. A UNESCO listed old city, Stone Town was David Livingstone's base when preparing for his final expedition in 1866. The above photograph is of Stone Town.

Darren studied at the S.I. Newhouse School of Public Communications at Syracuse until transferring to Fordham.

One Million Visitors!


I'm immensely gratified that since inception in mid-January 2007, The Travel Photographer blog has now received a total of 1,000,000 visitors!

What originally started as a lark has taken a life of its own, and The Travel Photographer blog seems to have its comfy little place place amongst other photography blogs. A million visitors is a drop in the ocean for blog behemoths, but for this one-man blog, it's enormous.

I sometimes hesitate in calling it a blog, because in reality it's more of a compilation of photo-essays, galleries (my own but mainly by others), multimedia, occasional geo-political rants and diatribes (some serious others downright silly), opinions (some ridiculous and others touching a nerve or two) and whatever else took my fancy.

However, nothing is more gratifying that getting emails from photographers expressing appreciation for being featured on The Travel Photographer....and responding as best I can to requests for advice and guidance virtually every day.

I hope the best is yet to come as Sinatra and Bennett told us....but in the meantime, I've got to run...I can hear my blog yelling "Feed Me!".

9 Şubat 2011 Çarşamba

Tony Smith: Kumbh Mela

Photo © Tony Smith-All Rights Reserved

Tony Smith is an adventurous Welsh photographer who, at the age of 15 joined a cargo ship to South America...and this is how his world travel started. He worked on ocean liners, and subsequently on dry land in Rhodesia (now Zimbabwe), Johannesburg in South Africa and London before settling down in Winchester.

He's been deeply involved in travel photography to the point it's developed into a second career. He tells us in his biography that nothing pleases him more than attending and photographing cultural and religious festivals: the more difficult and remote the better.

Tony is an Associate member of the prestigious Royal Photographic Society. His travels have taken him to Nepal, Bhutan, India, France, China, Spain, Morocco the USA and Canada as well as the West Coast of Ireland. He attended Hindu, Christian, Muslim, Buddhist and Gypsy events.

He has just returned from Haridwar in North India where he attended the Kumbh Mela, and produced a photo slideshow and a blog travelogue.

Tony also produced a number of slideshows of festuivals such as Holi, Gypsy Pilgrimage, Maha Shivratri (particularly recommended) and Feria de Bernabe, as well as others which are on his website.

8 Şubat 2011 Salı

Talking With Our Hands?

All Photos © Neal Jackson-All Rights Reserved

I just stumbled on this collage of photographs made by Neal Jackson during the Foundry Photojournalism Workshop (FPW) in Manali last June.

It appears that some the FPW instructors are fond of using their hands whilst conducting their classes....virtually the same gestures and mannerisms!

From the top left is Michael Robinson Chavez, top right is Ron Haviv, bottom right (in red) is Ami Vitale, and bottom left is Tewfic El-Sawy (The Travel Photographer). Click on it for a larger version.

The 2010 Foundry Photojournalism Workshop is scheduled for 20 – 26 June in Istanbul.

WTF!? Waiting For The GF1...

On May 24, 2010 I ordered the Panasonic GF1 with a 20mm f/1.7 lens from Amazon for $812 (excluding NY tax), which listed it as being in stock. I chose the Super Saver shipping discount so I was charged nothing for shipping.

Not a bad deal cost-wise since it saves me a little money, except for this: on receiving my order, Amazon emailed me its confirmation that the shipping date was estimated June 1, or a full 8 days after its being ordered.

Why? Does it take 8 days for an Amazon employee to locate the camera? Is it hiding behind stocked books? Is there a game of hide & seek going on? Would paying expedited shipping costs make the employee look any faster? Perhaps run instead of walk?

It's in stock and it's shipped from Amazon itself, so it's not from another Amazon affiliate or whatever they're called these days. And why not alert me to that "estimated shipping date" when I clicked on the Super Saver shipping discount?

Assuming that it will be shipped on June 1, it may be delivered a full two weeks from my order...a whole two weeks! I would understand if the camera wasn't immediately in stock, but it is...so what's going on, Amazon?

Ah, well...I hope I can test it in the streets of Istanbul in less than 3 weeks!

7 Şubat 2011 Pazartesi

Underage Marriage in India

Photo © Prakash Hatvalne/AP Photo-All Rights Reserved

Photo © Prakash Hatvalne/AP Photo-All Rights Reserved

Two photoblogs, MSNBC's Photoblog and The Denver Post's Plog, featured images from a mass marriage ceremony held recently in the town of Rajgarh, in the Indian state of Madhya Pradesh. Both are credited to Prakash Hatvalne/AP Photo.

The top photograph is of Mamta (7 years old) standing with her husband Santosh, who is 11 years old. While the lower photograph is of an under-age newly married couple who refused to be identified.

While Indian law sets 18 as the minimum age for a woman to marry and 21 for a man, underage weddings occur in rural areas, where the law is seldom observed.

Sociologists believe that child marriages originated 900 years ago with Muslim invasions of the subcontinent. Legend has it that invading armies -as was customary at the time- raped and carried unmarried Hindu women off as war booty, prompting communities to marry off their daughters almost from birth to protect them.

This tradition of child marriage, as many others considered by the Western world to be abhorrent, has also been created by necessity. In poverty stricken villages in the Indian subcontinent, Middle East and Africa, securing early marriages for daughters can mean the difference between subsistence and famine.

6 Şubat 2011 Pazar

My Work: Orissa & Chhattisgarth

Photo © Tewfic El-Sawy-All Rights Reserved

Photo © Tewfic El-Sawy-All Rights Reserved

Here are two images made while traveling in Chhattisgarh and the neighboring Orissa. There were made using my first digital camera, the Canon 10D...remember that one?

The first is of an Odissi dancer in Bhubaneswar. Odissi is one of the eight classical dance forms of India. It originates from the state of Orissa, in eastern India. On the basis of archaeological evidence, it's the oldest surviving dance form of India.

The second is of an adivasi in the Bastar region of Chhattisgarh, whom I found amongst the thousands of tribal people who congregated at one of the weekly haats. It's estimated there are 300 haats in Bastar, where villagers come to buy basic necessities, and to socialize.

It's at these haats that the adivasis imbibe copious quantities of toddy, the palm wine ubiquitous in these parts. The fellow was in a pseudo trance along with other members of his group. Despite my efforts, I never found out what the purpose of the trance was.

Here's my gallery The Adivasis of Chhattisragh.

4 Şubat 2011 Cuma

POV: The Guardian Eyewitness iPad App



I saw this posted on various blogs, and thought I'd add my two cents. It's the newly released Guardian Eyewitness app for the Apple iPad, shown off by photographer David Levene. I can't argue with the premise that it's gorgeous...but what does it bring to the table beyond what a laptop and/or netbook already does? The Guardian photographs can be appreciated on a laptop/netbook as well, no?

I have a Mac Book Pro and its display is equally gorgeous. I have a cheap Acer netbook, and its display is certainly not as great, but it's cheaper than the iPad, and it allows me to use all types of software, and fiddle with my photographs using Lightroom...infuriatingly slow perhaps, but it does, and iPad does not.

I frequently visit the Apple store in the Meatpacking district to play with the iPad (by the way, there are fewer tourists on the second floor, where iPads are also available).

As I've said before, I haven't seen anything to convince me that the iPad is a must-have for photographers...so until it does, and despite the Guardian's app and others like it, I'll wait and see what comes with the device's future iterations and new apps.

Wenjie Yang: Nuo Opera

Photo © Wenjie Yang-All Rights Reserved

Wenjie Yang is a freelance photographer, who was born and raised in Shanghai. She comes to photography and photojournalism with a background in advertising production and production of movie crews for a number of years.

She currently attends the Documentary Photography and Photojournalism One-Year Certificate Program at International Center of Photography, and worked on editorial assignments from various magazines, including “Travel + Leisure”, “Marie Claire”, “Elle Decoration”, "Burn Magazine" and “Chinese Photographers”. She also was awarded third prize in the 2008 National Geographic International Photography Contest (China Region).

Wenjie introduces us to Nuo Opera through her photo essay here.

Nuo opera is an ancient and a popular folk opera in southwest China. It is characterized by the use of frightening masks, characteristic dresses, strange language used in its performances, and mysterious scenes. It integrates religious and dramatic culture, and its performance aims drive away evil spirits, disease and unholy influences, as well as supplicate blessings from the gods.

Traditionally, Nuo is performed by specially trained shamans as a means of exorcism. In fact, the professional Nuo performers are viewed as "spiritual tutors" wielding supernatural powers to disperse evil spirits, sickness and disease.

3 Şubat 2011 Perşembe

HabbyCam DSLR Shoulder-Mount



This shoulder mount might be useful to those who use DSLRs for movie making. It's called the HabbyCam (don't ask me why) and it's reasonably priced at $250.

It's essentially a brace, is made of aluminum and stainless steel, and weighs only 3 lbs. The shoulder bracket is drilled with holes that can accommodate other accessories such as sound recorders and the like.

I don't have it so can't recommend it, but it certainly looks as if it could work well. I'm guess some enterprising person will eventually cobble one from hardware found cheaply at Home Depot etc.

Found via WIRED's Gadget Lab.

1 Şubat 2011 Salı

Asim Rafiqui: The Idea of India

"
"The close relationships between the island’s Muslim and Hindu communities in fact reveal a blurring of religious and spiritual lines, reminding us of the artificiality of the labels of ‘Hindu’ and ‘Muslim’ and the ordinary human being’s ability to find accommodation and tolerance of the practices and values of his neighbors." - Gujarat’s Faded Testaments – The Parables Of Bet Dwarka

Asim Rafiqui is not only an excellent photojournalist, photographer, a thoughtful blogger, writer and commentator, but also a friend and an inspiration in many ways.

I've written a number of posts on his wonderful project The Idea of India, and its being supported by The Aftermath Project and Blue Earth Alliance in the past year, so it gives me great pleasure to announce that he was just awarded a Fulbright Scholarship to pursue this extraordinary project.

Asim will be based for a year in New Delhi starting this September, and the scholarship will allow him to continue, expand and delve deeper into this important project.

I encourage you to visit Asim's The Idea of India writings, as well as his accompanying blog The Spinning Head. I'm certain you'll bookmark both, and follow his explorations into India's past, present and perhaps future.

As a footnote, I am undeservedly privileged to be mentioned in Asim's The Idea of India, and hope to reciprocate the acknowledgment in a small way very soon.