Sunday, September 26, 2010

Rajibul Islam: The Rohingya

Photo © Sheikh Rajibul Islam-All Rights Reserved

The Rohingya, a Muslim ethnic group of the Northern Arakan State of Western Burma, are denied citizenship and suffer persecution and discrimination in Myanmar. Hundreds of thousands have fled to Bangladesh. An estimated 25,000 unregistered Rohingya refugees are living in the Kutupalong makeshift camp in Bangladesh, and are being forcibly displaced from their homes, in an act of intimidation and abuse by the local authorities. Few have been granted refugee status. The majority struggle to survive, unrecognized and unassisted in Bangladesh.

Precious little on Sheikh Rajibul Islam's background is available on the internet, although he is listed on Lightstalkers as a Bangladeshi documentary photographer and film maker. Rajibul has also worked with Benjamin Chesterton of duckrabbit in Dhaka, where they have been working on a documentary about the effects of climate change on Bangladesh.

In my view, Rajibul and his powerful work belong to what I call the Bangladeshi "school" of photography...the dark and brooding style, which showcases social issues which need to be addressed. He's in good company: G.M.B. Akash, Sumit Dayal, Munem Wasif, Andrew Biraj, Tanvir Ahmed, Abir Abdullah, Monirul Alam, Shehzad Noorani, Saiful Huq Omi, Khaled Hasan, Murtada Bulbul, Mohammad Kibria Palash and Azizur Rahim Peu...and so many other talented photographers.

The Rohingya photo essay is showcased by the excellent Social Documentary. Social Documentary is a website for photographers, NGOs, editors, journalists, lovers of photography and anyone else who believes that photography plays an important role in educating people about our world.

Thanks to Benjamin Chesterton of the incomparable duckrabbit for bringing Rajibul Islam to our attention.

Last-of-the-Blackberries Cobbler


















Last-of-the-Blackberries Cobbler

Now that she has absolutely no idea who I am, my 92-year-old grandmother likes me just fine.

Whenever I stop by her nursing home she greets me with a grin and the same question: "Should I know who you are?"

Nope, I always assure her, you don't know me at all.  I'll offer her my arm and for a few minutes we will toddle around the yard, making polite chat about the weather and the relative cleanliness of any cars in the lot. Back at the door of her building, she'll thank me for the outing. If she's had a good morning at bingo, she might even press a mini KitKat or a few peanut M&Ms into my hand.

It wasn't always like this. Although reportedly thrilled to welcome her first grandchild, her enthusiasm for me waned from then on, bottoming out around the time I learned to talk. Decades of holiday phone calls went exactly like this: "Hiya, kid!" she'd cry, then, "Now, pass the phone back to your dad." 

It's an odd thing to have a grandparent who dislikes you; after all, liking grandkids is the main item in their job description. It's odder still when you have a lot in common with that grandparent. My grandma did a lot of things that, even as a kid, I considered cool. She traveled extensively, sewed stylish clothes and knitted complicated sweaters, and always had some screwball craft project on the go, usually involving repurposed rhinestone jewelry and/or googly eyes.  We shared a lot, but only indirectly. We never traveled together. I took sewing lessons at a yarn barn, and learned to knit from a friend.  I started my own stockpile of rhinestones and googly eyes from scratch.

It was only when it came to cooking that I felt some traction. When we visited she'd pass around gooey sandwiches and rich casseroles and I'd think to myself, Surely this is something remotely like love. 

Cobbler was one of her classics. She made it with whatever fruit was in season or in the deepfreeze--most often foraged blackberries or marionberries, a testament to her thrift and persistence.  Sometimes she'd tell me and my parents that the cobbler on the table had been made with the last of the frozen berries, and I'd read into that that she was really happy to see us.  

Cobbler was one of the last things she made before she and my step-grandfather left their home for a assisted living facility.  She'd already slipped pretty far, and her last cobbler was not, alas, her best, but more importantly,  she invited my dad and me over for the making of it, to train us in the way of cobbler.  Better late than never. 

My grandmother was in my thoughts when I set out to gather enough late-season blackberries for one last cobbler.   Along with her craftiness I inherited some more dubious tendencies, most notably stubbornness and irrational thrift.  The latter drove me out into the alley for one last forage, despite the bounty already in the freezer; the former spurred me to stretch to my full tip-toed height, determined to reach a juicy cluster dangling overhead.  I inevitably overbalanced and took a comical spill into the brambles, emerging snagged, scratched, juice-spattered and laughing, recalling a story about my grandma's first week in the locked memory-care unit.  

Finding herself unable to roam freely and unable to understand the reasons for her confinement, Grandma took action.  When the coast was clear she pushed a planter against the wall of the patio; my 5-foot grandma clambered over the 7-foot wall and tumbled onto the grass on the other side.  She brushed herself off and walked around to the front of the building where she was seen and apprehended as she tried to totter out towards the main road (surely one of the slowest-speed chases on record).  

When my dad heard the story he asked her if she was scared trying to climb down from that high wall.  

"Oh, no," she insisted, "when I was a kid I used to do things like that all the time."

"But Mom," my dad pointed out, "that was eighty years ago."

So maybe I'll also inherit her selective regard for the passage of time.  I used the berries I gathered to make the summer last just a little bit longer.  Although the recipe I use is neither my grandma's (which calls for shortening, a non-presence in my kitchen) nor my mother's (Bisquick, same story), the cobbler turned out pretty well.  I would have liked to share it with Grandma, to see if she'd have anything nice to say about a total stranger's cooking.  

Cornmeal Cobbler

2 lbs fruit or berries, fresh or frozen (but preferably free!)
up to 1 c sugar
2 Tbs cornstarch
3 Tbs sugar
1 c cornmeal
1 c flour
2 tsp bp
¼ tsp salt
1 c buttermilk
½ tsp almond extract
1 beaten egg
4 Tbs melted, cooled butter

Mix the fruit and the sugar (to taste) and spread in a shallow baking dish. Whisk together the starch, 3 Tbs sugar, cornmeal, flour, baking powder, and salt. Mix the almond extract, buttermilk, egg, and butter, and stir into the dry ingredients. Top the fruit with large spoonfuls of batter. Bake 30-35 minutes at 375.

2011 Photo~Expedition™: In Search of Gujarat's Sufis


I've just announced my first photo~expedition™ of 2011, and it'll be once again in Gujarat, but much different in context and objectives than the one I led earlier this year. As I always do, its details are shared to those who subscribe to my newsletter, and after a week or so, I make them public.

It will involve photographing tribal life in western Gujarat, the hijras at the famed Bahucharji temple, document the syncretism between Sufi Islam and Hinduism in various shrines and sacred sites in Gujarat's southern peninsula, and the African Indian Mystics of Gujarat, with their distinctive music and rituals.

This photo~expedition™ is limited to a maximum of 5 photographers, and its details have now been sent to my newsletter recipients.

It promises to be another exciting experience especially as it involves so many off-the-beaten-path documentary opportunities...Sufi and Hindu syncretism, eunuchs, the Indian Sufi mystics, and Gujarat's tribals! Not the faint of heart or for first-timers to India, it's a visual and intellectual itinerary which will offer immense opportunities to self-starters interested in documenting the complexities of conflicting traditions and ways of life in one of the most interesting countries of the world.

Xoi Nep Than


















Xoi Nep Than
Mekong Grocery, $1.65

I recently took a joyride on Seattle's new light-rail train, which currently runs from downtown to almost Seatac airport (the airport terminal is due to open soon, followed by more northern stations). It was a great ride--smooth enough for my creaky bones, but bumpy enough to delight David, a talkative 12-year-old fellow joyrider seated across the aisle (he was so adorably excited to take his first train trip that he high-fived the ticket inspectors).

Somehow rocketing along either far above or far below ground level messes with my internal map, so it wasn't until the trip back towards town that I realized the Mount Baker station is mere blocks from one of my favorite Asian shops, the Mekong Rainier Grocery. When I was housesitting in the neighborhood several years ago I made almost daily trips for single-serving portions of spongy duck egg custard, cut in thick golden slabs and laid across a little bed of black sticky rice cooked with coconut milk.

Alas, things have changed. The Mekong is bigger and more bustling, but the slabs of custard are no more. The salesgirl I asked said that it just didn't sell well enough (starting the moment my housesitting gig ended, presumably). So I had a pack of xoi nep than instead; the same mass of coconut black rice, but topped with a schmear of sweetened mung bean paste and sprinkled with flaked coconut. Not quite as luscious as custard, but good enough fuel for a train trip.

Mekong Rainier Grocery
3400 Rainier Ave S
Seattle, WA

Angelcots




















Angelcots

Another fruit I wish I had on hand is the angelcot. I picked up a box of these at Trader Joes's last year and am eagerly awaiting their return in June.

The angelcot is a sweet, juicy little Frankenfruit, hybridized from Iranian and Morrocan apricots. Ross Sanborn came up the cross about 30 years ago and continued to tinker with anglecots for the rest of his life. A small annual crop comes out an organic orchard in Brentwood, CA.

Desserts by Holly

















Desserts by Holly

Pilchuck Glass School, Summer 2010

Although dessert wasn't on my mind (for once) when I jumped at the chance to attend Pilchuck Glass School, they now feature heavily in my mental scrapbook, nestled quietly but comfortably between shots of liquefied glass and other swaggering pyrotechnics. While Pilchuck is known for the quality of its food, in practice it's a matter of who happens to be in the kitchen. The sweet-toothed glass students of 2010 have an ally in Holly Fox.

I was mostly too hurried or too hungry during my time at Pilchuck to document Holly's work sufficiently, but I appreciated every installment. Working with glass did not come naturally to me, and I spent much of the session feeling anxious, frightened, and down; I cannot overstate the comfort I derived from a slice of blueberry tart, a bowl of fruit shortcake, or a pocketful of no-bake peanut butter oat cookies.

Of all the session's sweets, it's the macaroons (above) that still have their hooks buried deep in my taste buds: crisp-tender golden haystacks of shredded coconut and toasted almond slivers, skirted with dark chocolate. When I asked if she would share her recipe, Holly apologized for not having used one. The macaroons were simply an elegant response to an array of demands: some coconut and some egg whites needed to get used up and a dessert needed to get made. The way Holly tells it, she just stirred in some sugar and the macaroons practically made themselves.

Holly also gives stylish haircuts and sews stylish bags (and torn trousers). When I asked her what kind of training she'd had for any of this, she said she owed her abilities to her mother's good example. It struck me that she has experienced the same journey--from apprenticeship, to competence, to creativity--undertaken by many good glass artists.


Want to hear more about my Pilchuck experience?

Saturday, September 25, 2010

Charlotte Rush-Bailey: Tribes of Raj & Gujarat

Photo © Charlotte Rush-Bailey- All Rights Reserved

Charlotte Rush-Bailey is the second group member of The Tribes of Rajasthan & Gujarat Photo~Expedition ™ whose work is being showcased here on TTP.

As demonstrated by her photographs here, and by those on her impressive website, Charlotte's quest to explore the unknown and learn from it has always been with her. Her career covered three decades of marketing and communications positions in a variety of global industries including energy, financial services, media, conservation, technology and professional services. This gave opportunities to work with people all over the world, and to learn to appreciate cultural nuances and the influences of socio-political forces.

Photo © Charlotte Rush-Bailey-All Rights Reserved

This is no idle claim by Charlotte. I saw her engage people in the remote villages of Kutch and in the warrens of the walled city in Ahmedabad with an incredible ease, which led her to have no difficulty obtaining the photographs she wanted.

Photo © Charlotte Rush-Bailey-All Rights Reserved


Charlotte immersed herself in her passion of photography, and attended numerous workshops including those at the Palm Beach Photographic Workshops and Santa Fe Photo Workshops. She traveled to more than 90 countries, with a camera as a constant traveling companion. She believes that it was this that gained her more intimacy with people, places and nature.

Photo © Charlotte Rush-Bailey- All Rights Reserved

Charlotte's statement on her website reads:
"These explorations have enriched my life beyond imagining. Most important is the confirmation that humans – regardless of race, creed or tradition – share core values that far outweigh the differences that are so often the cause of conflict. The importance of family, community and spirituality are universal. Beyond humanity, nature has taught me complete humility and reverence. Nothing we humans do can repeal the laws and forces of nature; nothing we create can compare with the beauty, elegance and resilience of the natural world."

She's absolutely right.